The Rape of Lucretia

Benjamin Britten‘s
The Rape of Lucretia

Ula Love Doughty Carousel Theatre
Knoxville, TN

April 2013

Directed by James Marvel
Conducted by Kevin Class
Scenic Design by Josafath Reynoso
Projection Design by S. Katy Tucker
Costume Design by Joscelyne Oktabetz
Lighting Design by
Stage Manager:

Produced by UT Opera Department

Photo Credit: Josafath Reynoso

“The Rape of Lucretia” is an opera composed by Benjamin Britten with a libretto by Ronald Duncan. Premiered in 1946, the opera is based on the tragic story from ancient Roman history.

The narrative revolves around the virtuous Roman matron Lucretia and the consequences of her assault by Sextus Tarquinius, the son of the ruling king. The opera explores themes of power, virtue, and the destructive force of sexual violence.

Set against the backdrop of political unrest and the tyrannical rule of the Roman monarchy, the opera delves into the emotional aftermath of Lucretia’s assault. Britten’s music weaves a complex tapestry of human emotions, reflecting the characters’ internal struggles and the broader societal implications of the crime.

As the story unfolds, the opera introduces a chorus that serves as both narrator and commentator, offering perspectives on the characters’ actions and the tragedy that unfolds. The use of a chamber ensemble adds an intimate dimension to the score, emphasizing the emotional depth of the characters.

“The Rape of Lucretia” is known for its psychological depth, intense emotional exploration, and Britten’s masterful composition. The opera raises questions about morality, justice, and the impact of violence on both individuals and society. It remains a significant work in Britten’s oeuvre, showcasing his ability to tackle challenging themes and create compelling operatic narratives.